LISTEN TO OUR WORK
(04)
MEET PETE
Got specific questions?
What’s your typical process for a new project?
Every project is different, but generally we start with a discovery phase to understand your goals, audience, deliverables needed and discuss deadlines. From there, we move into sound design, scoring and mixing, keeping you in the loop at every stage. Each service has its own milestones, but collaboration is constant to make sure everyone's on the same page.
How long does a project usually take?
For most projects we are up against a deadline to deliver final files. The time it takes usually depends on what we are given for time. A simple web mix can take less than a day while a full length documentary can take weeks. We hear what your needs are and try our best to adjust our schedule to meet your deadline. When we agree to a collaboration we always take into consideration the needed turnaround time and listen to our clients. Rush order pricing is available if needed. We're dedicated to giving you what you need, when you need it.
Do you offer custom quotes?
Budgets vary from client to client, and as an independent studio, we do our best to accommodate yours. But one thing is non-negotiable: we never scale down our quality. We treat every project with the exact same level of focus and craft. If we can’t deliver a 10/10 result within your scope, we won’t take the job—we refuse to hand back subpar audio. Whether we’re polishing raw tracks or building full sound design and original scores, you get our absolute best work every single time.
How many revisions are usually allowed once a first pass is sent over?
We don't cap revisions because we refuse to hand back half-baked work. Most projects hit final approval within 1 to 3 passes thanks to strong initial creative alignment. While intricate sound design or nuanced scoring can occasionally require extra back-and-forth, we focus on delivering an exceptional final mix without locking you into strict iteration caps. Everything that leaves our studio is a direct reflection of our work so we want to feel confident that what we are sending back is as good as it can be.
What sort of files are sent back to the client once a project is approved?
We deliver to any spec—from standard Stereo, to Surround formats including Dolby Atmos. We're also fully aware of the different loudness requirements for broadcast, web and streaming. We'll give you what you need. Beyond traditional film and music, we frequently handle specialized, multi-channel audio for museums and immersive spaces. Have an unconventional audio challenge in mind? Drop us a line with your specs to discuss custom solutions.
