Your Creative Audio Partner
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MEET PETE
FAQ
Got specific questions?
What’s your typical process for a new project?
Every project is different however, generally we start with a discovery phase to understand your goals, audience, deliverables needed and discuss deadlines. From there, we move into strategy, design, and development—keeping you in the loop at every stage. Each service has its own milestones, but collaboration is constant to make sure everyone's on the same page.
How long does a project usually take?
For most projects we are up against a deadline to deliver final files. The time it takes usually depends on what we are given for time. A simple web mix can take less than a day while a full length documentary can take weeks. We hear what your needs are and try our best to adjust our schedule to meet your deadline. When we agree to a collaboration we always take into consideration the needed turn around time and listening to our clients. Rush order pricing is avaialble if needed. We're dedicated to giving you what you need, when you need it.
Do you offer custom quotes?
Budgets vary from client to client, and as an independent studio, we do our best to accommodate yours. But one thing is non-negotiable: we never scale down our quality. We treat every project with the exact same level of focus and craft. If we can’t deliver a 10/10 result within your scope, we won’t take the job—we refuse to hand back subpar audio. Whether we’re polishing raw tracks or building full sound design and original scores, you get our absolute best work every single time.
What do you need to get started once scope is approved?
To guarantee flawless audio sync and an efficient workflow, we request the following project files: Audio: An AAF file is preferred. OMFs are also accepted, provided embedded assets do not exceed 2 GB. Video Reference: A full ProRes file is ideal. We convert to DNxHD internally for optimal Pro Tools performance. Note on MP4s: We can work with MP4s if necessary, but we highly discourage them. Highly compressed video formats often introduce subtle timing drifts and frame offsets. We work heavily with Premiere Pro workflows and can provide a simple export spec sheet to make file handover seamless. Need help setting up your export? Reach out before bouncing—we're happy to guide your editing team.
What are the audio capabilities at Red Vault Audio for mixing and mastering music?
We are your audio swiss army knife to solve your most complex sound needs. Here is a list of our capabilities... • Stereo + Atmos Mixing • Stereo Mastering • Music Production • Vocal Editing + Tuning • Music Editing • Acoustic + Electric Session Guitar Work • Audio Restoration + Noise Reduction for Music Related Tracks • Mixing + Mastering Consultation • Mixing + Mastering Lessons
What are the audio capabilities at Red Vault Audio for post production sound?
We are your audio swiss army knife to solve your most complex sound needs. Here is a list of our post production capabilities... • Stereo + Surround Mixing including Dolby Atmos • Sound Design • Scoring • Dialogue Editing • Noise Reduction • Music Editing • Audio Restoration + Noise Reduction for Music Related Tracks • Audio Post Production Consultation • Audio Post Production Lessons • Remote + Local Voice Over Recording
How many revisions are usually allowed once a first pass is sent over?
We don't cap revisions because we refuse to hand back half-baked work. Most projects hit final approval within 1 to 3 passes thanks to strong initial creative alignment. While intricate sound design or nuanced scoring can occasionally require extra back-and-forth, we focus on delivering an exceptional final mix without locking you into strict iteration caps. Everything that leaves our studio is a direct reflection of our work so we want to feel confident that what we are sending back is as good as it can be.
What sort of files are sent back to the client once a project is approved?
We deliver to any spec—from standard Stereo, to Surround formats including Dolby Atmos. We're also fully aware of the different loudness requirements for broadcast, web and streaming. We'll give you what you need. Beyond traditional film and music, we frequently handle specialized, multi-channel audio for museums and immersive spaces. Have an unconventional audio challenge in mind? Drop us a line with your specs to discuss custom solutions.
